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Of the jobs that have eluded him, Rogers is philosophical. 'I always prefer to look ahead. I liked our proposal for the South Bank [1994], the one with the wavy glass roof, but you learn from the ones that got away; they’re in the back of your mind as you explore new projects, but they’re not things to regret. If you take Leadenhall [the Leadenhall building, aka the Cheesegrater, a striking and structurally expressive 50-storey skyscraper nearing completion in the City of London], you’ll find a lot of the thinking we’ve done on urban design over many years. Where it meets the ground, it has a porosity that makes it a part of the streetscape; there’s a seven-storey public gallery at pavement level, with trees inside; it’s a speculative development with a civic smile.’
Of the jobs that have eluded him, Rogers is philosophical. 'I always prefer to look ahead. I liked our proposal for the South Bank [1994], the one with the wavy glass roof, but you learn from the ones that got away; they’re in the back of your mind as you explore new projects, but they’re not things to regret. If you take Leadenhall [the Leadenhall building, aka the Cheesegrater, a striking and structurally expressive 50-storey skyscraper nearing completion in the City of London], you’ll find a lot of the thinking we’ve done on urban design over many years. Where it meets the ground, it has a porosity that makes it a part of the streetscape; there’s a seven-storey public gallery at pavement level, with trees inside; it’s a speculative development with a civic smile.’